Busby Berkley Choreography of the 1930s

ABerkeley, Busby (42nd Street)

.Ginger Rogers.......Busby Berkeley was the man responsible for all that wonderful choreography we see in those glamorous films of the 1930s.  Lot’s of beautiful girls in rows or stacked on top of each other.  He would create giant sets with hundreds of scantily clad beauties,smiling faces, arms outstretched, legs extended , parading in front of a camera mounted on a monorail.  They were grouped in formations to create moving patterns which could weave in and out of the sets.

42nd street Some of the sets were pretty spectacular too. Whole city blocks were represented together with lavish gardens and swimming pools. Berkeley worked with some of the biggest stars of the day as well as being responsible for the establishment of some fresh new faces.PoolJump1FootlightParade33 Annex - Keeler, Ruby (Go Into Your Dance)_NRFPT_01

Ruby Keeler was probably one of the greatest discoveries of the 1930s and her clumsy hoofer appeal was all the rage.  Ruby could dance up a storm on her own and yet still complement the line up without standing out too much on a limb.  She and Dick Powell danced their way through ‘Footlight Parade’ and ’42ndStreet’ to an audience base dogged by the great depression and brought good cheer to all. Keeler and Powell Gold Diggers 33 Other films included ‘Zeigfeld Follies with Lana Turner, Judy Garland and Hedy Lamar which was, of course, a winner.  With a cast like that how could it not be?Turner, Lana (Ziegfeld Girl)

Who better to work with lines of chorus girls than Busby Berkeley  just as Zeigfeld had done in his hey day.  It was Busby,however, who added dance to what had traditionally been just lines of gorgeous gals in glamorous costumes.  Lamarr, Hedy (Ziegfeld Girl)Rows of men in tuxedos were also added and they danced too. 1933-gold-diggers-forgotten-manBusby Berkeley was apparently married six times but these marriages didn’t last long as he was very close to his mother who was herself a former broadway star and a hoofer to boot. Pardon the pun.  In 1935 he was driving whilst drunk and crashed.  Two people died as a result and Berkeley was charged with manslaughter. His career was put on hold for the duration of the trial but continued to flourish afterwards. Annex - Powell, Dick (Gold Diggers of 1935)_01He turned to directing and was equally as successful with films including ‘ They Made Me A Criminal’ with John Garfield one of Garfield’s best films.  It was always going to be the musicals, however, in which Berkeley excelled and to this very day he is revered as one of the greatest choreographers ever both in film and on the Broadway stage.

 So for all you hoofers out there look out for the musicals of the 1930s when Berkeley was in full swing, put on your taps and dance.

© Renee Dallow (Hybiscus Bloom ) 14/10/2014

Bourgeoise Vintage Season

art deco sillouhette

Being Bourgeoise is about vintage fashion,movies,dogs,home decorating and a look at past verses present.  As I am also a writer I have included poetry, prose and plays written by myself.

I have created three characters to present vintage themes.

Gabby Du Gaffe, Wanda Wey Awrf, and Betty Bourgeoise

Gabby Du GaffeNavy uniform

Presenting the 30’s,40’s and 50’s covering all things  art deco, WWII stories,  along with fashion and etiquette.

 

 You will find many vintage film stars and films here too.

Including

Film Noir

gruau_1950s_fashion_illustration

 

Here then is a selection of random pictures to give you a taste of what to expect.

Hollywood canteen ticket

Vintage Film Trivia
Vintage Film Trivia
Vintage Advertising and home products.
Vintage Advertising and home products.
WW11 stories
WW11 stories
Film noir stars and film noir intrigue.
Film noir stars and film noir intrigue.

And much much more …………..

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My novel  ‘The Past Tense Of Youth’  a love story with a difference set in Istanbul in 1936

Touching the moon

My play ‘Eye of The Dawn’ about Mata Hari

Mata Hari in colour

My satirical poems in ‘ The Humble Coffee Bean’ about coffee and social etiquette

Deco coffee Brazil

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© Renee Dallow ( Hybiscus Bloom ) 2/10/2014.

Lizabeth Scott: Diva Du Noir.

Annex - Scott, Lizabeth (Dead Reckoning)_01The husky voiced Lizabeth Scott was another great film noir star known for her innocent but deadly countenance on screen.  She actually stripped the ‘E’ from her real name of ‘Elisabeth’ and added a ‘Z’  to make her name stand out and it worked.  She was discovered by Hal Wallis who fell madly in love with her and believed in her when others didn’t.  Those who didn’t included other producers and casting directors who had already fallen in love with ‘Lauren Bacall’ who was also a husky voiced siren who slithered across the screen and purred her lines with the ease of a perching jaguar but if Bacall was a jaguar Scott was a lurking panther hiding in the shadows  ready to pounce when least expected.  'The Look' BacallThe comparisons between them were a little unfair as they really were quite different.   In the roles she played Bacall was tall and elegant with a tough edge but a heart as soft as melted marshmallow. Scott, on the other hand always had an element of darkness.  A little tortured and a little lost often misunderstood and sometimes guilty as charged.    Her characters were electric and sizzled with calculated intent while those played by Bacall smouldered in a slow burning flame. Annex - Bankhead, Tallulah Lizabeth Scott managed to trail the careers of many great actresses and had virtually begun as an understudy for the great Tallula Bankhead in her first stage roll in Thornton Wilder’s ‘The Skin Of Our Teeth’.  Tallula was forty at the time and Scott while only nineteen had grabbed all the publicity.  This of course did not bode well for Bankhead and she barked orders at Scott who finally got very angry and told her to say please which Tallula, surprisingly, did.  So when Scott finally did manage to play the role on stage, when Bankhead fell ill, her ego was well and truly in tact. Miriam Hopkins Later Miriam Hopkins rival only to the great Bette Davis who had, strangely enough been a mentor for Lauren Bacall, took over the role from Tallula and also fell ill.  The understudy was again… You guessed it … Lizabeth Scott.

Hal Wallace ensured that Scott bacame a major Hollywood contender, however, and she would go on to star in twenty two film noirs making cementing her fame in Hollywood land for all time.  Funnily though her first film ‘You Came Along’, was a comedy and came out the year after Bacall made ‘To Have and To have Not’ with Bogart which came out in 1945.  In 1946 Scott made ‘The Strange Love Of Martha Ivers’ with  another great star, Barbara Stanwyck, and was given top billing due to Hal Wallace’s insistence.  This made an enemy out of Stanwyck who complained bitterly and finally got her way.  Scott would have the last laugh, however, co starring with Bacall’s beau Humphrey Bogart in the classic ‘Dead Reckoning’.  What a drama!  In the film ‘No Time For Tears’ my favourite Lizabeth Scott Film she trumps them all and plays a real sugar coated deviate diva.Annex - Scott, Lizabeth (Dead Reckoning)_02  In the film she leaves a string of bodies, male, in her attempts to conceal the fact that she’s found a stolen stash of bills which she intends to keep.  A real sweetheart who lies, cheats and schemes her way through the movie in a range of glamorous outfits without a hair ever being out of place.  Slick, sleek and totally chic.  Scott had a very long affair with Hal wallace and was also involved with Burt Lanchaster with whom she made ‘I Walk Alone’ yet another film bent on betrayal and vengeance.  Annex - Scott, Lizabeth (I Walk Alone)_01 In this film she is Lanchaster’s ally against crooked mob boss and night club owner  ‘Noll’ played by ‘Kirk Douglas’.  She only changes sides when ‘Noll’ refuses to marry her opting instead for a wealthy socialite who can prop up his new night club.  Lanchaster’s character ” Frankie’ has spent more than a decade in jail as a result being double crossed by ‘Noll’ and has vowed revenge.  This film was made in 1948 and Scott would make three more films with him.  They made a good team with his strong jaw and athletic build and her intense searching gaze coupled by a determined stance and practiced poise.  Lizabeth Scott was apparently incredibly ambitious and it showed.  For her determination to succeed amongst the competition she was often derided by the press.Scott, Lizabeth Glitz  But Hollywood was and still is one tough town so I say  “If you got it flaunt it”… Lizabeth Scott had it in spades and fully deserves the accolades.

© Renee Dallow ( Hybiscus Bloom ) 25/9/2014

Evelyn Keyes : Star Of Film Noir

Evelyn Keyes-1947

 

ann-autograph Evelyn Keyes

Most famous for being Scarlett Ohara’s younger sister In’ Gone With The Wind’ Evelyn Keyes was so much more than a spoiled younger sister.  Most of her films were made for Columbia studios and were in the B category. In fact she even married Charles Vidor who was one of Columbia’s most famous directors and who directed her in ‘The Desperados’ with Glenn Ford..  Many of her films were in the  film noir genre and Keyes excelled as the gritty heroine who’s tough facade often masked the desperation of a woman on edge.  ‘The Killer That Stalked New York’ , ‘The Prowler’, and ‘Hell’s Half Acre’ are all film titles that automatically promise spine tingling suspense and shadowy underworld dealings.  In ‘ The Killer That Stalked New York’ she plays a diamond smuggler  who, whilst waiting at the police station, contracts small pocks from touching the arm of a young girl who actually has the disease. In ‘The Prowler ‘ she’s a young married woman having an affair with a cop.Annex - Keyes, Evelyn_  The cop is crooked and murders her husband to collect his insurance money.  In a later film with John Payne “99 River Street’ she is the young actress ,desperate for a role in a new film , who plays a trick on a friend.  The friend is an ex boxer who drives taxis for a living who also has an unfaithful wife involved with the mob.   The wealthy man she is having an affair with kills her with the intention of then framing her husband but thankfully the actress believes in him and helps to prove him innocent.  You get the drift?  Evelyn Keyes was always getting herself involved with guys in trouble.  In the movies that is.   Her leading men were big names of the day including Dick Powell, John Payne and Van Heflin. Annex - Keyes, Evelyn (Prowler, The)_01 With Dick Powell she made possibly one of the best in the film noir genre ‘ Johnny Oclock’ with Dick Powell.  A brilliant script and an extremely talented cast  including Lee .J. Cobb and jeff Chandler in a small role made this one really stand out.   Keys plays the girl who’s sister has been murdered by the mob and who falls in love with the main suspect (Dick Powell ). Annex - Powell, Dick (Johnny O'Clock)_01 Other films included ‘Mrs Mike’ again with Dick Powell, which she considered  her favourite  probably because it was such a romantic film.

Annex - Keyes, Evelyn lamplight Again she is the wife only this time hubby is also married to the Canadian Mounties causing many problems for the young bride who hails from Boston.   ‘The Al Jolson Story’ , one of my favourites,with Larry Parkes is the story of Jolson’s meteoric rise to fame after appearing in the very first talkie supported by , you guessed it, a lovely wife played by Evelyn Keyes.  It’s no coincidence, however, that Keyes seemed to often play the wife role as she was equally famous for the men in her life as she was for the roles she played on screen.  Her first husband Barton Brainbridge suicided and she then became involved with Charles Vidor.  She left Vidor to marry John Huston in 1946 whom she eventually divorced . She then moved in with Mike Todd , who later married Liz Taylor, and finally ended up with Artie Shaw who had been married to Doris Day.  Not bad for Scarlett’s little sister who seemed to always be losing her husbands.  She certainly had her revenge. How very film noir.

© Renee Dallow ( Hybiscus Bloom ) 13/9/2014